Scorching, continually-Marshall-love drive tones that aren’t stressed by boxiness. Good dynamic sensitivity. Excessive-quality truly feel.
Treble tones would per chance be very sizzly, making many amps and guitars a sad match.
Warmth Audio ODD Field V1
warmaudio.com
Though, in many respects, you might seemingly per chance well seemingly also impress its DNA inspire to the DOD 250 and MXR Distortion+, the Fulltone OCD hit a sweet pickle and felt slightly new to somewhat plenty of avid gamers when it used to be new. It had the edginess and perspective of these laborious-clipping drive/distortion pioneers. Nonetheless it’s miles going to also additionally sound more starting up and natural than some of its fellow laborious-clipping circuits when tuned appropriate appropriate. Warmth Audio’s ODD Field V1, which, as any genius can wager, is an OCD clone at almost every turn, shares these attributes at a truly good $119 designate, which is further aesthetic given its by scheme of-hole constructing and the dignity that went into its execution.
Sensitive, But Comes on Solid
I came to perceive the Fulltone OCD by the utilization of the pedalboard of a studio mate, whose rig used to be geared toward heavy psychedelic sounds. He stale it at a reasonably low perform surroundings and located it downstream from a germanium Fuzz Face. I tended to experiment with the pedal in that context, and I used to be always impressed with how it felt aggressive but controlled and no longer too bossy. Pairing it with the Fuzz Face made for a reasonably unhealthy combination, too. The ODD Field V1 is able to all these tricks—though it continually feels a bit bossier than the OCD that lives in my reminiscence.
Within the event you had to categorise the ODD Field V1’s essence, “Marshall-y” would per chance be a proper region to originate. It feels rapid, explosive at cases, and brimming with scalding top stop will beget to you are going to love it. That tendency toward toppiness can accomplish the ODD Field V1 a tough match with some amps. Even at low perform and conservative tone settings, the ODD used to be a sad match for a murky-panel Vibrolux with a energetic treble signature. But a squishier murky-panel Tremolux coaxed a thicker, richer tone image, and a darker silver-panel Bassman (which, to my ears, sounds and behaves worthy love a mid-scooped Marshall plexi) felt love a come splendid match.
In these more optimum pairings, the ODD Field V1 can shine, in particular in low-to-mid-perform settings. It will coax the midrange hiding in the corners of darker amps, making chords sound thick and vividly detailed. It additionally lends dimension to guide tones without sounding fuzzy or obscuring an instrument’s enlighten. Bridge PAFs growl beautifully on this low-perform zone, and Stratocaster neck pickups draw shut on a tasty edge and pleasant mass. At bigger perform settings, the ODD Field V1 like a flash veers toward tones that, to my surprise, regarded love a proper match for thrash and British steel. It’s surprisingly aggressive, and can beget to you’re no longer careful, treble tones can earn a bit sizzly. I had to work the tone controls on my guitar, my amps, and the pedal slightly actively to earn it in the becoming pocket. It’s easy to hear how lightning-like a flash leads would profit from these pronounced treble tones. But will beget to you love a more forgiving, compressed contact at these high perform levels, the ODD might seemingly per chance truly feel a bit hot.
“It will coax the midrange hiding in the corners of darker amps, making chords sound thick and vividly detailed.”
Though the ODD has a tough persona, its contact sensitivity and responsiveness to somewhat plenty of guitar volume and tone input extends its flexibility and marks any other distinction between it and pedals with a the same enlighten, love the Boss SD-1 (which continually sounds love a boxier, less complicated cousin to the ODD Field V1). It’s slightly easy to summon full-sounding, come-clear tones with slightly less guitar volume, and much of that sizzling top stop would per chance be rounded off with a brief flick of an instrument’s tone knob.
The Verdict
I devour that Warmth Audio chases analog authenticity at ideal-wanting prices. But fascinated about how many rarities and out-of-reach classic objects they’ve cloned, it’s a bit uncommon that they chose to copy a pedal as ubiquitous because the OCD—even in light of Fulltone’s disappearance. The ODD Field V1’s core tonalities have a tendency toward hot, reactive, and distinctly on the Marshall aspect of the drive spectrum. If that’s a realm the set apart you love to dwell, it’s an cheap more than a few to pricier amp-in-a-box alternatives love the ZVEX Field of Rock, and more dynamic, starting up, and natural sounding than an SD-1 and its cousins. For all its Marshall-ness, though, with the becoming amp—continually one on the darker aspect—you are going to be in a pickle to summon one of the persona of an excited Fender tweed or an stale Supro running hot and huge starting up. It appears to be like to be and feels love it’s built for the prolonged haul, inner and exterior. And can beget to you’re keen on pickle-on lovely accuracy, Warmth Audio nailed appropriate about every facet of the OCD’s watch and truly feel. For avid gamers whose fashion aligns with its fearless persona, it’s a huge value.
Warmth Audio ODD and Mutation Phasor Demos | PG Plays